Veeder: Making sure our world still has barn dances
Maybe that’s why they turned tiny granaries into dance floors, Jessie Veeder says. Because wouldn’t you want to hear the slow drawl of the neighbor’s fiddle spill out of the leaky roof and into the night sky lit with stars? Wouldn’t you want to put your hand on her waist and swing her around laughing?
WATFORD CITY, N.D. — I think what this broken old world needs is a few more barn dances.
You may have forgotten that those used to be a thing that people did.
Above the house where I grew up is an old shed. It’s sat there for nearly a hundred years now I think. It outlasted the homestead house where a family used to live and then one day moved away, leaving what seemed to be everything behind — dresses and books and filled-in calendars and ledgers and dishes in the cupboards, canned garden vegetables in the root cellar, the lilac bushes and the apple orchard and mattresses and lace curtains moving like quiet ghosts with the wind cutting through the gaps in the walls. Old houses fall apart in the most slow and lonesome way when there’s no one there to sweep the floors and wipe the windows and serve the bread.
They left the house and all those things and they left that little wooden shed my dad said used to be a granary. He remembers it and he remembers those neighbors.
They used to have dances there, my dad told me when I was poking around as a kid. It seemed impossible to me. That granary was much too small, not even close to 1,000 square feet. If you danced, it would be a tight circle. Add a guitar and a fiddle and the quarters would be beyond close. Tight. Unimaginable to us these days, losing ourselves and one another in wide-open floor plans, separate rooms and all the space between.
Houses are big enough now so that you never have to lay a hand on each other on your way to the kitchen sink, or sit with legs touching on the living room sofa, or fall asleep to the sound of your sister breathing in the small bed next to you. Not if you didn’t want to, anyway. Not if you’re what we call “lucky” to have all that room…
Back then, I imagine the landscape, and the work that needed to be done upon it, gave you all the space you needed from the next living soul. Lonesome looked a bit different back then.
Maybe that’s why they turned tiny granaries into dance floors. Because wouldn’t you want to hear the slow drawl of the neighbor’s fiddle spill out of the leaky roof and into the night sky lit with stars? Wouldn’t you want to put your hand on her waist and swing her around laughing? Wouldn’t you want to sing along, to hear their voices overlap and chatter, gossiping and encouraging and entertaining to help you forget for a moment the worry of it all?
You would have wanted to then, when it was a bit quieter. When the world you knew stretched only as far as the horizon, or as far as you could afford a train ticket to take you. You see, they were islands too, in much different ways. And then, in so many of the same. Humans have always been humans, after all.
But the dancing in that tiny building, well, a hundred or so years ago, there was no other choice.
Now we have so many. So many excuses. So many oceans we’ve put between us… But last week, a man in the middle of rural North Dakota, more than a hundred years from when the first barn was raised on this Northern prairie landscape, called his family, his neighbors and friends, and told them to come on over to the homeplace. Come on over to the barn. We’ll feed you. There will be music. And there will be dancing.
He’s been doing it for years, so they knew. They had it on their calendars. And his daughters and their families and he and his wife, they made the Fleischkuechle and the kuchen because that was tradition too. And me, well me and the guys were lucky enough to witness it all from the little stage in the corner of the loft of the old barn with the shined-up floors where we strummed guitars and sang some songs they knew and some they didn’t and all with a beat for a good two-step, or a waltz or a chance to join hands in a circle. Because I heard him say it into the microphone when he welcomed them all to that loft after a picnic supper — he didn’t want his grandchildren to grow up in a world where there were no barn dances. So he made sure, at least for his community, it was not a lost tradition.
And from my perch behind the microphone, he reminded me that we may not all have big, beautiful barns preserved from the cruel weather of time, but if we’re lucky, we have a spot that might work just fine enough for dancing in a circle.
Because I’m not sure, but I think it’s true, that just like old houses, people, they fall apart too, slow and lonesome if there’s no one there to sweep the floors, to brush past, to breathe the same close air, to sway side to side, and open the curtains and let the light in and serve the bread and do the things that, together, people are meant to do...