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Civil art ‘humanizes’ places, expresses identity, lecturer at NDMOA says

Camp Depression Tribute schulpture by Curtis Flexhaug on UND campus. JOHN STENNES/GRAND FORKS HERALD1 / 10
Statue of Alexander Griggs by Heidi J. Hoy and Nicholas Legeros. JOHN STENNES/GRAND FORKS HERALD2 / 10
"Dance of the Loon" by Cynthia Wyildes. JOHN STENNES/GRAND FORKS HERALD3 / 10
"Soring Eagle" by Bennett Brien on the UND campus.JOHN STENNES/GRAND FORKS HERALD4 / 10
"Flood Rescue" by P. Richard Szeitz.JOHN STENNES/GRAND FORKS HERALD5 / 10
"Spindle," by Dustin Shuler, became a suburban Chicago landmark after it was installed in 1989, but was removed to to make room for a Walgreens Drug Store in 2008. Photo courtesy Jack Becker6 / 10
Anish Kapoor's "Cloud Gate" is the star attraction at Millennium Park in Chicago. Photo by Jack Becker, Public Art Review7 / 10
Jack Becker created a one-night labyrinth for the Northern Spark Festival in St. Paul in 2013. More than 1,000 people donned sound-canceling headphones and slowly wove through the installation and under the handcrafted cloud during the all night fest. Photo by the artist.8 / 10
Jann Elftman's encrusted art car, waiting to join the Art Car Parade in Minneapolis, 2012. Photo by Jack Becker, Public Art Review.9 / 10
Performers and audiences intermingle at Heart of the Beast Puppet and Mask Theater's MayDay Parade. Photo by Jack Becker, Public Art Review10 / 10
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Civil art ‘humanizes’ places, expresses identity, lecturer at NDMOA says
Grand Forks North Dakota 375 2nd Ave. N. 58203

With nearly 100 colorful, varying images, public art expert Jack Becker engaged an audience at the North Dakota Museum of Art Thursday night, hoping to inspire ideas for 42nd Street South and other parts of Grand Forks.

Becker, founder and director of the Twin Cities nonprofit Forecast Public Art, was invited by NDMOA and the Community Foundation to speak to Grand Forks community members about public art, with the hope that his experience and art examples would spark ideas for the proposed 42nd Street Destination Corridor.

“This is just for inspiration,” said Kristi Mishler, executive director of the Community Foundation.

An audience of about 50 people — including city employees, UND employees and other community members — took in Becker’s presentation, which had many examples of public art from around the Midwest, as well as nationally and internationally.

Familiar examples he showed ranged from monumental, like the Gateway Arch in St. Louis and the Eiffel Tower in Paris, to closer to home, like Paul Bunyan and Babe in Bemidji.

Those sculptures are examples of communities becoming identifiable by their public art, Becker said.

Public art “humanizes” cities, Becker said. He showed some examples of interactive sculptures, where people could write notes or take photos to share on social media.

One example of interactive artwork that Becker shared was a giant chalkboard in New Orleans, where people passing by were asked to write what they wanted to do before they die.

Another was a light-up art installment at a movie theater in Minnesota, where the lights changed colors depending on where people touched a railing surrounding the art.

“Public art should not be underestimated for what it can do for communities,” Becker said.

When considering public art, on 42nd Street or elsewhere, he said, Grand Forks should ask: “What’s the goal for the city? What’s the big plan for the city? And how can public art reinforce that?”

During a question-and-answer after the presentation, Mishler asked about who maintains public art and who generally pays for it.

Thousands of communities — ranging from big cities to small towns — have figured out funding for large-scale public art projects, Becker said, and he mentioned some examples of funding models.

But before anything can be figured out, local leaders should frame their goals for the project, he said.

“For art on 42nd Street, answer the question, ‘What would success look like?’” he said.

Charly Haley
Charly Haley covers city government for the Grand Forks Herald. As night reporter, she also has many general assignments. Before working at the Herald, she was a reporter at the Jamestown Sun and interned at The Forum of Fargo-Moorhead, Detroit Lakes Newspapers and the St. Cloud Times. Haley is a graduate of Minnesota State University Moorhead, and her hometown is Sartell, Minn.
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